I've been working on an entry for the Sexy Robot Contest over at Renderhub. This is my work in progress so far;

Sketch

Here are some reference images and designs I collected.

Setup in Blender

Retopoflow is a perfect tool for creating the plate parts.

More progress for the sexy robot challenge from @renderhub3d Almost done with the modeling. I hid the left hand ;). After the modeling is done it is time for UV unwrap and textures. This is a proof of concept with a rigging test.

Some more work on the shoes and I broke the symmetry a bit.

Beneath the final setup in Blender.

This is my final render. I aimed for a retro aesthetic as a tribute to Sorayama, and I'm really pleased with how it turned out.

Here you can find the Behind The Scenes video of the Lynn Lewis Project in Unity3D.

Unity 

Recently, I was able to allocate some time towards a personal project . Through my work with CC4 and iClone, I found that they provide a pipeline tool that eases character setup in Unity. My background in Unity goes back to 2010, and I have a constant desire to delve into real-time rendering. Hence, I saw this as a great chance to revisit this field. Unity has undergone a lot of changes, and as a graphics enthusiast, it was exciting to experiment with the HDRP render pipeline.

For this particular scene, I experimented with some of the high-quality, free models from Kitbash3d. I was pleasantly surprised by the outcome that was achieved in the game engine. I also spent some time refining the character import process from Reallusion to Unity and produced a quick video clip to showcase the results. For this scene I've played around with some of the free quality models from Kitbash3d. I was pretty stoked with the result what you could achieve in the game engine. I tinkerd some more with the character import in from reallusion to Unity and rendered this quick clip.

Character Creation

Lynn Lewis is a highly skilled female spy and burglar. She is known for her cunning abilities, quick thinking, and attention to detail. With her expertise in stealth and espionage, Lynn is often called upon to carry out covert operations and gather sensitive information. Despite the danger that comes with her line of work, Lynn is fearless and always ready for a challenge. Whether she is infiltrating a heavily guarded facility or making a daring escape, she is always up for the task.

The wonderful CC extended facial rig in action

Using the built-in animations in CC4 allows for a thorough evaluation of the character design. It allows you to check the positioning of the teeth and tongue, as well as the alignment of all elements of the eyes, making it a valuable tool in the design process.

I won't go into too much detail about the character creation, but I am very pleased with the result. I recently had the chance to immerse myself in Marvelous Designer during a commercial project. Although I am unable to share that project at this time, I still wanted to incorporate my newfound knowledge and skills into this personal project.

For the design of the suit, I drew inspiration from the animated spy series, Archer. Although I still need to finalize the design, the concept is well on its way and closely resembles the direction it needs to go.

For character animation, I wanted to explore the use of Cascadeur in combination with iClone in my pipeline. What sets Cascadeur apart is its ability to calculate the balance of the character based on the animation, resulting in a highly natural movement. I was thrilled to find that I could easily drag and drop the exported FBX onto the character in iClone, with no complications, making the process incredibly seamless and efficient.

In iClone, I was able to further enhance the animation by refining facial expressions and hand movements, and by setting up constraints and blocking out the camera animation. This allowed me to bring even more life to the character and create a more immersive experience for the viewer. 

I had the intention of creating a compact chase scene on a rooftop. At first, I thought I could leave out the entity the character is fleeing from, but later I decided that it would be cool to include a drone as the aggressor. Realizing that building a drone model from scratch would be a significant undertaking, I searched Sketchfab for a suitable model and ultimately chose one that fit my needs;

Currently, I am in the process of refining the model by cleaning it up and making design modifications to suit my preferences. My plan is to texture it using Substance Designer, but first I need to give it a proper UV layout using RizomUV.

Thank you for taking the time to read my update on this project. This concludes the first part of the project, and I will keep you posted on any further developments. Stay tuned for more updates!

So I've changed quite a bit again. I really liked the lighting on the last one so that one is there to stay but will get back in there in a later stage. I started the last hair on 05_Wavy Bob Hair. This is available with the toon But it proved hard to get it right and the mesh is triangulated which made it even more difficult to adjust. This hairmodel comes with the toon figures from Reallusion.

 The hair still bothered me so I went back in to ZBrush. 

Hair is quite difficult but I finally came up with a nice hairdo which is in line with Jessica's original design.

Here are some iteration of the animation and lip synch. Will add some camera editing as well but for the sake of the lip-synch I did it like this for now.

First and automatic.

Refine pass 1

Refine pass 2

I noticed that it is hard work the accu lips on mixed down audio with a lot of noise in it and because it is singing I had to time a lot by hand.

It still needs a lot of refinement but I like where it is going. Sorry about the low audio but hey it is a wip.

I've decided to join in iClone Lip-Sync Contest and create something fun. The goal is create a Lip Sync animation scene based on a favourite scene. "Who framed Roger Rabbit" is one of my favorite movies and this film holds up even today and I wanted to create a bit of the nightclub scene.

It is still very rough and in the early stages but it's getting there. The hair is a place holder and I need to refine the model and do the tedious weight-painting on the dress. 

Detailpass on the clothing and blocking in the hair.

Just a quick render in between, keep an eye on my blog for updates.

Here is another update for the Alien Scout. I've started to work on the helmet from start to finish because in the item I could extract how the rest is going to be handled. First I roughly blocked in the shape and ideas.

I wasn't to concerned to work on the cloth yet and focused on the panels first.

  

Once I was happy with the panels I could finish those up and start working on the cloth in ZBrush.

  

Once I was happy with the shape of the fabric I could bring the pieces together in one mesh.

I imported the final mesh into painter. In this case it was the game mesh which has around 3k poly count.  And textured the helmet in Substance Painter.

To get a indication of the overal character I made a quick setup with the finished parts in Marmoset. Now I have a solid lead on how to tackle the rest of the outfit. More in part III when I am that far.